01 | Headroom | 15:21 | ||||||
I. Tyra - An Introduction of the three musicians with bass guitar, bass pedals, drums and electric violin. | ||||||||
II. Reflections One - A violin piece with light percussion, congas, bass guitar chording and bass pedals. | ||||||||
III. Reflections Two - The same themes as One, presented over a background of sequences, string synthesizer, and drums with violin, vocal, and synthesizer melodies. | ||||||||
IV. Real Time - A space out. | ||||||||
V. Scarberia - The drum solo emerges into an improvised synthesized drum, violin, bass guitar bridge. The piece concludes with a rock and roll song in 14/8. | ||||||||
02 | Border Crossing - A composition drawing from Rock, Jazz, and Classical influences. | 16:12 | ||||||
I. The First Movement was inspired by Japanese Haiku; a three line verse having a rythmic cadence of 5/7/5. | ||||||||
II. The Second Movement is free of metre and tonal centre and contrasts the first movement with a lack of structure. | ||||||||
III. The Third Movement is introduced by an ostinato sequencer bass line. An improvisation by all players over this pattern follows. | ||||||||
V. The Fourth Movement is in traditional song form with drums, violin, bass guitar and bass pedals. The piece concludes with added synthesizer environments of modulated noise and alpha brain wave control of an ARP 2500. | ||||||||
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