In Collection
Rating:
10
Owner:
Jean-Henry Berevoescu
Rating:
10
Owner:
Jean-Henry Berevoescu
| Bitches Brew (Disc 1) | 46:59 | |||||||
| 01 | Pharaoh's Dance | 20:00 | ||||||
| 02 | Bitches Brew | 26:59 | ||||||
| Bitches Brew (Disc 2) | 46:51 | |||||||
| 01 | Spanish Key | Miles Davis | 17:29 | |||||
| 02 | John McLaughlin | Miles Davis | 04:26 | |||||
| 03 | Miles Runs The Voodoo Down | Miles Davis | 14:04 | |||||
| 04 | Sanctuary | Wayne Shorter | 10:52 | |||||
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Notes
Recorded August 19 - 21, 196920-Bit Digitally Remastered
Japanese Cardboard Sleeve Edition
Last Remaster With Teo's Original Mix
No jazz collection is complete without Bitches Brew, an influential set that was one of the first successful attempts to form a new music (soon termed fusion) by combining jazz solos with rock rhythms. "Miles Runs the Voodoo Down" is the most memorable of the six lengthy selections, featuring a fascinating ensemble with Davis's trumpet, Wayne Shorter's soprano, Bennie Maupin's bass clarinet, guitarist John McLaughlin, the keyboards of Chick Corea and Larry Young (Joe Zawinul is on some of the other selections), Dave Holland and Harvey Brooks on basses, drummers Jack DeJohnette, Charles Alias, and Lenny White, and percussionist Jim Riley. Not for the close-minded, this music brought many rock listeners into jazz and gave jazz musicians new possibilities to explore.
Keine Jazzansammlung ist ohne dieses Doppelte komplett CD. Dieser sehr einflußreiche Satz war einer der ersten erfolgreichen Versuche, eine neue Musik zu bilden, (soon termed fusion) indem er Jazzsoli mit Felsenrhythmen kombinierte. "Miles Runs the Voodoo Down" ist memorable der sechs langatmigen Vorwähleren und kennzeichnet von eines faszinierenden Ensembles mit Davis's Trompete, Wayne Shorter's von des soprano, Bennie Maupin's von des Baß-clarinet, von des guitarist John McLaughlin , von der Tastaturen Chick Corea und Larry Young (Joe Zawinul is on some of the other selections) Dave Holland und Harvey Brooks auf von der Bässe, von der Schlagzeuger Jack DeJohnette Charles Alias und Lenny White und von des percussionist Jim Riley . Nicht für schließen-gekümmert, holte diese Musik viele Felsenzuh50rer in Jazz und gab Jazzmusikern neue Möglichkeiten, um zu erforschen.